This is an upbeat, soaring and joyful tale, too yet another take on Romeo and Juliet, it definitely isn't.
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The nervy Charlie and calm-and-collected Nick - a self-described "gay nerd" among "borderline outcasts" and Truham's rugby king - don't simply cycle through an opposites-attract scenario, thankfully. And, after spending a year being bullied by homophobic classmates after coming out - often hiding in the art room at lunch with a kindly teacher (Fisayo Akinade, Atlanta) to escape - he's anxiety-riddled in general. Accordingly, while a friendship quickly solidifies between Heartstopper's central duo, Charlie is initially unsure whether anything more can happen. That train of thought speaks to a lifetime of self-doubt, with Nick telling Charlie to stop apologising for, well, everything - and Charlie's high-drama best friend Tao (fellow debutant William Gao) describing him as having "a tendency to believe him just existing is annoying for other people". Thankfully, Charlie realises that he deserves much, much better, including with Nick's help.Īlso an issue: Charlie hardly thinks of himself as sporty, even after Nick asks him to join the school rugby team because he's super-fast at running. He's also cruel, rude and demanding without ever caring about Charlie's feelings, and filled with loathing about his sexuality - and fear that he might be found out. Their clandestine rendezvous in empty classrooms aren't his choice, but Ben won't even acknowledge Charlie in public. In Heartstopper's opening episode, Charlie has a secret boyfriend, Ben Hope (Sebastian Croft, Doom Patrol). Others that follow, all also flawless: lightning bolts, flowers, stars and rainbows, all whizzing around when the sweetest of emotions run high.Įverything isn't all rainbows for Charlie and Nick, narrative-wise, though - although the colour scheme favoured by director Euros Lyn ( Dream Horse) goes heavy on pink lighting, blue and yellow school walls, the green grass of sports fields, and violet-hued clothing. The cute twinkling imagery is such a small but pivotal touch, used to illuminate small yet essential moments, and couldn't be more perfect. Nodding to the series' graphic-novel origins, Charlie and Nick's first meetings inspire a flurry of hand-drawn animated hearts on-screen, illustrating how we all know that such an experience feels. It's not the only moment that'll make Charlie pause, his heart all a-flutter and his cheeks a-glow - or any of the show's figures for that matter - but it leaves an imprint that sets Heartstopper's astutely endearing tone.
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Sparks fly on the former's part, swiftly and overwhelmingly, as a crush and then a life-changing love story is born. A year ten student at Truham Grammar School for Boys, Charlie Spring (first-timer Joe Locke) finds himself seated in his form class next to year 11 rugby player Nick Nelson (Kit Connor, Little Joe) at the start of a new term. Within the story, though, it takes mere minutes for Heartstopper to warrant its name - showing rather than telling, as all great art should.
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That's enough to earn the series its title for viewers, plenty about this webcomic-to-page-to-screen charmer will cause entranced tickers to miss a beat. The LGBTQIA+-championing show doesn't ever have its gay, trans and bisexual characters pointlessly wonder why they love who they love or feel how they feel, welcomely, refreshingly and heartwarmingly so. It can't be answered in any satisfactory way, but in this delightful streaming newcomer - with an eight-part first season that's become a must-see within a week of hitting the platform - what that question isn't referencing is also crucial.
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That query: "why are we like this?", pondering why hitting puberty always brings an utter lack of elegance with emotions, identity, relationships and expressing yourself. More than once in Heartstopper, a question drifts from the lips of the Netflix series' British teens, asking something that every adolescent has contemplated.